Throughout Scotland I’ve experienced a sense of wonder and awe for the relentless forces of nature that created such haunting beauty and continue to shape the dramatic landscape to this day.
I’ve painted outdoors and I’ve painted indoors… on location and in studios all over the world. People often ask me: Which do I prefer? Is one more authentic? Is the other easier? Over the years I’m thinking it is all up to the individual, what gets you stoked as a painter, what inspires your process.
Caroline Zimmermann’s Lahaina Galleries Solo Exhibition, February 27, 2016
Information and enquiries:
Lahaina Galleries At Fashion Island
1173 Newport Center Drive
Newport Beach, CA 92660
www.lahainagalleries.com email@example.com Continue reading “Caroline Zimmermann: Lahaina Galleries Solo Show”
Since the era of the Medici and the Renaissance, Florence has been famous for its artisans, artists and crafts people who have created many of art history’s finest treasures. My numerous visits to the museums of Florence have inspired me over the years as I view the countless masterpieces of Renaissance art, and noting with little exception, the magnificence of their frames.
It has been one of my greatest pleasures as an artist living and working in Tuscany for the last 20 years to collaborate with several frame makers in Florence that are still creating frames in the fine Florentine tradition. (These paintings will be available at the Lahaina Galleries Holiday Show from November 20 at the Newport Beach gallery.) Continue reading “Florentine Treasures”
This last weekend I had the honour of exhibiting my work at Lahaina’s 39th Anniversary Show. Along with seven other master artists, we celebrated with some of Lahaina Galleries’ patrons and collectors at a private unveiling the evening before.
All of the works were carefully hung and veiled to provide maximum excitement and anticipation… Continue reading “Lahaina Galleries 39th Anniversary Show”
London, calling once again!
For the second summer in a row I’ve had the pleasure and honour of painting “live” at the Graham Fine Art gallery in London’s Crouch End. Continue reading “Live from London, It’s Caroline Zimmermann”
It has been a wet autumn here in Tuscany, and that following a very wet summer. Italy has been inundated by November’s storms adding to the heaviness of an already disastrous olive harvest. Makes for a slightly maudlin mood for the locals. Rainy weather means more time for me in the studio, happily working away… of course, on my newest water paintings. Continue reading “Autumn Reflections from a Tuscan Studio”
This time of year the wisteria is a phenomenon here in Tuscany. It is a breathtaking spectacle seen throughout the region as the carefully maintained blooms adorn grand villas and bring their elegant grace to the most rustic of farm houses. Continue reading “Homage to a Wisteria”
Sunflowers speak to me of happy and content memories in my family’s garden in Anaheim.
As a child, I would lose myself for hours helping my mother and father with their various tasks of tending their large backyard garden.The mild weather in Southern California made for a botanical paradise for my parents. Both are originally from Europe and they would marvel at the growing conditions as all seasons of the year brought forth their bounty. Continue reading “Waves of Inspiration: Sunflowers”
Amber: It is the color of a Tuscan autumn, when all is bathed in a gorgeous honey light, gilded in gold, sweet, liquid, overripe, on the verge of decay.
Shadows become longer, days shorter and the Tuscans increasingly maudlin and all goes quiet: Winter is approaching. Continue reading “Amber: Autumn Inspirations in Tuscany 2012”
October has come and gone, and with it the last of Tuscany’s balmy weather… fall colors are slowly making their appearance. Now with November’s rains here in Tuscany I am able to immerse myself in the studio.. wistful, now, however for a little sunshine!
It was a glorious sunny day when we filmed out last scenes of Terroir earlier this summer at Il Borro’s Vin Cafe, an appropriate wine tasting scene which featured Salvatore Ferragamo, his friends and Terroir actor Gaetano Guarino.
We first met Azul in July, where she was a scene-stealer during our principal photography with Salvatore at the Borro.
I recently spent a happy afternoon taking photos of Azul that I will use for references. Within moments she began to reveal her character, what I truly hope to capture in her portrait.
Animals, and horses in particular, were my favorite subjects when I was oil painting as a kid.
To this day, I still paint animals whenever I can. Check out the animal and still life paintings in my Flora and Fauna Gallery on my website.
….and a private vernissage with Salvatore and his artist-to-be Wanda…
One of my fondest memories of living at Il Borro is the sight of the Chianina cattle grazing on the rolling hills of the estate’s countryside.
Salvatore Ferragamo first introduced me to the Chianine of Borro years ago. Alvaro, a farmer on the estate, had a beauty that he kept in one of the old farmhouses. When we were filming at the estate recently I asked Salvatore if I could have a private visit with the herd, and I was delighted to see them once again, now multiplied several-fold.
They are a gorgeous breed of cattle, indigenous to the Tuscany region where they have been raised for over 2200 years.
Originally bred as beasts of burden, they are now in high demand for their very tasty and lean meat. The famous Bistecca Fiorentina should be made of a T-bone cut from none other than the Chianina. Seeing them here in this noble setting it was difficult for me to think of them as simply meat on the hoof.
I have created countless paintings of these lovely creatures.
I feel a deep connection with these animals… the sight of them evokes to me a Tuscany of another era.
Their distinctive white color, elegant profile and shape of their horns make me think back even further, to the origins of human life in Europe and the advent of agriculture, as the stunning, recently discovered cave paintings of Lascaux demonstrate.
Some of the many Chianine in the Ferragamo’s herd…
Related: Tuscany paintings
Comments are welcome and encouraged. Your email address is not required in order to comment.
It was the first weekend in July and for the last 23 years I’ve been in Laguna Beach for the opening of the Festival of Arts. This weekend was a bit of a departure for me: not only was I not in California, but still in Tuscany and still filming the last scenes for our indie film Terroir.
We found ourselves back in Borro… that is the Il Borro Estate owned by the Ferragamo Family. John had asked Salvatore Ferragamo to do a cameo role for Terroir, and he kindly agreed.
The medieval hamlet of Il Borro and its gorgeous Villa originally brought us to Tuscany and the Val d’Arno area. John was filming at the estate in the summer of 1999, where met and filmed with the young Salvatore Ferragamo, who manages the Estate. After several conversations, dinners, wine and grappa, John informed me that we were going to rent one of the Borro village apartments… Salvatore generously included a studio for me to paint.
We lived in Borro for over two years, had our wedding party there. I had numerous workshops and painted prolifically while we were there. Living there was a dream, and until our old mill house aka Molino found us, we were quite content.
Now fast forward 10 years and our return. Salvatore did a fantastic job, playing a character not far from himself – a premiere winemaker.
We filmed early mornings on the estate and were fortunate to have another guest appearance: his Polo Pony, Azul, who was by the way, a natural in front of the camera!
The cantinas are fabulous and make a marvelous set! The Borro Estate Winery has over 45 hectares of vineyards that produce varietals such as Merlot, Syrah, Cabernet Sauvignon, Sangiovese and Petit Verdot. And we have the prviledge of introducing the estate’s next wine in “Terroir” – a 100% Syrah with a very unique label!
If you are considering a memorable vacation in Tuscany, do look up Il Borro. Words alone cannot give a full description to the beauty and majesty of this Tuscan Estate. You will simply have to see for yourself.
After more than 23 summers at the Laguna Beach Festival of Arts, times are a changing and I am moving on. It was not an easy decision to relinquish my exhibitor’s space at the Festival as I have spent almost half of my life’s summers there. Many of those involved with the Festival are like family to me, and I will miss their company. I am greatly indebted to the Festival of Arts. As a fledgeling artist, it gave me the opportunity to make a career of the Labor I Love. My heartfelt thanks goes out to those dedicated people who have made the Festival what it is today: A piece of California’s history that for 80 years has done much to promote and sustain the Arts in Laguna Beach.
My decision has allowed me to spend more time with my family and has opened up new opportunities to paint the summer light of Tuscany and Provence and also complete the production of some additional scenes for our independent film, Terroir, directed by my husband John Charles Jopson.
As I’m both the Producer and the Art Director, I consider Terroir my biggest work yet!
We’ll be editing for the rest of the summer, and into the autumn in Berlin, then in December it’s back to Ealing Studios in London for final post-production.
Those visiting Laguna Beach this summer and expecting to find me at the Festival of Arts can see my work in the Summer 2012 Group Coastal Show at Gallery McCollum, which runs from June 23 through the end of summer.
Later in the summer I’ll be returning to the Hollister Ranch Hoedown benefit where this year 50% of the proceeds of the Art Show will go toward the Hollister Ranch Fire Company. Then on August 25th I’ll have my solo show No Bad Paintings, No Bad Waves at Gallery McCollum featuring a book signing with Mickey Muñoz.
And of course you can always visit my Virtual Gallery to see my latest paintings available for purchase online – a few of which are featured below…
Comments are welcome and encouraged. Your email address is NOT required in order to comment. Just leave it blank.